In the midst
of things

Photo Essay By Sarah Hiatt
My name is Sarah Hiatt – I’m an artist born and raised in southwest Missouri. My work focuses on the physical and psychological development throughout childhood; and I’m interested in themes of transition, identity, and loss. Literature, films, and folk music – especially those that are surrounded by existentialist ideas, often motivate me in my work. I am currently an MFA candidate in the photography department at Columbia College Chicago, and will complete my degree in the spring of 2017. 
 
In the Midst of Things

I awoke on my stomach, quietly; arms and legs sprawled out, occupying half of the space on my mother’s bed. Today was my fifth birthday. “A whole hand,” I remember thinking—the first realization of my own growth. “Five years old.” Shortly after, my first tooth was loose.

I slept in her bed off and on after my father died, from when I was nine months until I was ten years old. It was then that we downsized into a two-bedroom house; my 19-year-old sister took one room for herself, and my mom and I became roommates. I didn’t sleep alone in my own space until I was nearly 15.

Even as a child I was always very aware of death. Maybe it is the awareness of mortality that represents a loss of innocence. My interest in photographing children comes from a desire to hold onto my own innocence—if I ever had it. I have been a partial caretaker of my own parent for so long that I want to act as a child. I want guidance, but often reject it when it is given. Although I am almost 30, I often act more like a mature 15-year-old.

Even as a child I was always very aware of death.

I wasn’t slowly transitioned into independence. Being independent is exclusively associated with adulthood, and when it is used to describe a child, it usually means that the child is deemed hard to control. Does that mean growing up is about gaining control?

A handful of days before Christmas 2002, my mom became weak and ill. She was admitted to the hospital, and words like 'dehydration', 'low blood sugar', 'diabetes', and 'kidney function' were thrown around. Somewhere along the way, it was mentioned that her diabetes developed during her pregnancy with me. I wasn’t a planned baby. My parents were told they weren’t able to biologically have children. Somehow I came, but maybe I wasn’t supposed to. Maybe I ruined my mom’s body. I felt the guilt of existing.

“Is this me?” “No, it’s your sister,” she would say after I showed her a snapshot of a baby. It was always my sister. I would run back to the kitchen table and place the photograph under the sticky plastic cover inside the photo album after labeling the back 'Hannah'. “She has more pictures than me!” I have some, but there’s an extensive number of snapshots of my sister. This probably isn’t unusual for a firstborn, but I realize now that my mom was probably sad and grieving for most of my early childhood. When I turned five, he had only been gone for four years–her partner, her love for 21 years. He died of a heart attack on our front lawn at age 40. She died from various things, complications from diabetes, at age 66. I have her dimples, but I have his anxiety. Maybe I’ll die in my 50s.

I FELT THE GUILT OF EXISTING.

Can babies grieve? My nine-month-old self would call for him from my crib. That eventually faded, along with my memory of him. My mom has been gone for almost two months now. After a long day, I find myself feeling inclined to call her. And then reality comes, and I’m jerked back like a dog trying to extend its leash. Will that inclination also fade, along with my memory of her? I fear it will.

While our personal life experiences vary, we share the familiar path of growing into our bodies, delighting in innocence, and grappling with loss. Children are in the midst of their foundational years, learning and making choices that shape the kind of adults they will become. The inevitability of adulthood looms over them in the discomfort of transition. But, like any transition, childhood is temporary.

Throughout the past five years, I have concentrated on photographing my niece and nephews with these ideas in mind. The photographs reflect the formation of identity as well as the relationship the children have to one another, to their environment, to their bodies, and to me. They are familiar and comfortable with being in front of the camera, and my role as their aunt is partly defined by the action of photographing their lives. The images serve as a sort of coming-of-age story, a visual narrative created through personal experiences as I struggle with my own purpose and the themes of guilt and severe loneliness throughout my life.

I spent my childhood believing it was
abnormal to have two parents.

I spent my childhood believing it was abnormal to have two parents. My friend’s fathers scared me. They were tall and their voices were deep. They always seemed grumpy. I didn’t picture my own dad this way as I would sift through photographs of him and photographs he took. He was a photographer, too. It’s glaringly obvious to me that I chose this path because of everything I learned about him. I feel connected to him whenever I photograph and feel his camera strap on the back of my neck—like a pat on the back saying, “I’m here. I’ve got you.” I haven’t made any children of my own to continue his legacy, but I have made photographs.

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